Elektron, Moog, Korg, Arturia, Roland, Ableton and Novation hardware from our own stock, plus studio monitors and mixers. For live electronic sets, artist showcases, rehearsals, content shoots and producers who arrived on Phuket without their rig.
This is a different rental from a wedding PA. Nobody books an Octatrack because they need background music — they book it because they play live hardware sets, or because they are producing on the island for a month and are not going to fly a studio here. We keep the machines that get asked for by name, and we deliver them to villas, studios, venues and beach clubs across Phuket with cabling and a technician who has actually patched them before.
Minimum order 15,000 THB. Prices are per event or per day. Delivery and setup are from 2,000 THB by car. For a week or a month, ask — long-term rates are materially lower than the daily figure multiplied out.
The core of any live hardware set. Everything here sequences, so a performer can arrive with project files on a card and play a full set without a laptop.
| Item | THB |
|---|---|
| Elektron Octatrack MK2 — sampler | 5,500 |
| Elektron Analog Rytm MK2 — analogue drum machine | 6,500 |
| Elektron Analog Four MK2 — analogue synthesiser | 6,500 |
| Roland SP-404 MK2 — sampler | on request |
| Korg Electribe EMX — production station | on request |
| Korg Volca Beats — drum machine | 500 |
| Vermona DRM1 MK3 — analogue drum synth | on request |
The eight-track performance sampler that a large share of live electronic acts are built around. Time-stretching, scenes, crossfader morphing and a sequencer deep enough to run an entire set from one box. Booked with almost every touring live act we host.
Analogue drum machine with sample layering and performance pads. Real analogue voices for kick, snare and hats, with samples layered on top — the reason it sounds like a record rather than a preset.
Four-voice analogue synthesiser with the Elektron sequencer. Basslines, leads and pads from genuinely analogue circuits, sequenced in the same workflow as the Rytm so the two lock together on stage.
The sampler that defined lo-fi and beat-scene performance. DJs and beatmakers ask for it by name for showcases and content shoots.
Music production station with tube drive — grooves, sequencing and a distinctive saturated tone. A fast, physical way to build a live set.
Compact analogue drum machine. Cheap enough to add as a texture layer to any setup, and a genuinely fun piece for workshops and open sessions.
A German analogue drum synthesiser — no samples at all, every sound generated. For producers who want percussion nobody else has.
Analogue and digital synths for live sets, studio sessions and recording. All supplied with power supplies and the cables to get them into a mixer, which is the part people forget.
| Item | THB |
|---|---|
| Moog Subsequent 25 — analogue synthesiser | 5,000 |
| Korg Minilogue — analogue polysynth | 1,800 |
| Arturia MicroFreak — hybrid synthesiser | 1,000 |
| Korg Volca FM — FM synthesiser | 500 |
| Roland TB-03 — bass line synth | on request |
| Roland XV-5080 — rack sound module | on request |
A two-note paraphonic Moog with the ladder filter and the low end the brand is famous for. The bass sound that makes a track feel finished. Our most requested synthesiser.
Four-voice polyphonic analogue with an oscilloscope display. The practical polysynth — chords, pads and leads, easy to programme, hard to make sound bad.
A hybrid digital-oscillator, analogue-filter synth with a touch keyboard. Strange, characterful and cheap to add; used on more records than its price suggests.
Compact FM synth in the DX7 lineage — bells, electric pianos and metallic textures for very little money.
The Roland Boutique recreation of the TB-303 acid line. If a set needs that squelch, nothing else does it.
Rackmount sound module with a very large classic preset library. Booked for cover bands and show programmes that need a lot of standard sounds from one rack unit.
What connects the machines to each other and to the PA. Every rental includes MIDI cables, audio leads and power — not just the box.
| Item | THB |
|---|---|
| Ableton Push 2 — controller | 2,500 |
| Arturia BeatStep Pro — sequencer and controller | 1,000 |
| Novation Launchpad — grid controller | 700 |
| Novation Launch Control XL — control surface | 700 |
| Tascam Model 24 — mixer and recorder | 4,000 |
| Tascam Model 12 — mixer and recorder | on request |
| Yamaha MG166 — analogue mixer | 1,500 |
| Boss RE-20 Space Echo — delay effect | 1,500 |
The hardware instrument for Ableton Live. For producers running a laptop set who want to play it rather than click it, and for live acts that need clip launching under their hands.
Dual-sequencer and drum sequencer with CV and gate outputs. The piece that makes a pile of separate synths behave as one instrument.
Grid controller for clip launching in Ableton. Light, reliable and instantly familiar to anyone who performs with Live.
Sixteen knobs, faders and buttons mapped to your session — hands-on mixing for a laptop set.
A 24-channel analogue mixer with a built-in multitrack recorder. Mixes the band and records every channel at the same time, which is exactly what a live session or a showcase needs.
The compact twelve-channel version of the same idea, for smaller sessions and podcast or stream setups.
A dependable sixteen-channel analogue mixer for rehearsals, submixing and anything where a digital desk would be more menu than help.
The tape-delay pedal recreated. Dub delays, feedback swells and the smeared repeats that make a live set breathe.
Nearfield monitoring for producing, mixing and checking a set before it goes out on a big system.
| Item | THB |
|---|---|
| Adam A5X — studio monitors, per pair | 2,000 |
| KRK Rokit 5 — studio monitors, per pair | 1,800 |
| Genelec — studio monitors | on request |
| Tascam DR-07 XP — field recorder | 700 |
Ribbon-tweeter nearfields with a famously detailed top end. The monitor for mixing decisions rather than for enjoying music.
The workhorse nearfield. Forgiving, familiar, and the reference most producers already know by ear — which is what makes translation predictable.
Finnish reference monitors for critical listening. Limited stock, so ask early.
Field recorder for capturing a set, a rehearsal or room sound. The cheapest thing on this page and the one that most often earns its cost back.